
Audience research
Part of Creator contracts audience research, desk data or real interviews?
How to run creator contracts competitor research that stands up
A ten-step creator contracts competitor research checklist for England, with ASA and CAP Code checks, named disclosure tools and a reusable comparison table.
What to take away
Creator contracts competitor research means collecting and comparing the sponsorship agreements, disclosure practices and public terms your rivals use. You can then price and draft your own deals from evidence rather than guesswork.
Treat it as a research project with a defined scope, not a one-off look at a rival's website.
- Fix your research question first"what do rivals charge" is too broad to answer well.
- Work from public, lawfully obtained materialfiled accounts, published rate cards, platform terms, regulator guidance.
- Date and source every figure, because rates and rules move quickly.
- Keep personal data out of the comparison set unless you have a lawful basis to hold it.
- Write findings as a short internal note, not a spreadsheet nobody reads.
The steps below assume the England market, though much of the method travels. Use the Companies House register to check filed accounts where a comparator operates through a company; those filings will not reveal private creator rates or contract clauses.
Before you start
Define the question and the set
Write one sentence describing what you need to know: for example, what disclosure wording do ten comparable creators use in paid posts? A tight question keeps the work finishable.
Define and check your ground
- Write one-sentence research question
- Pick 6-12 comparable creators
- Record follower band, sector, format, quarter
- Check trade mark use under 1994 Act
- Confirm lawful basis for contact data
Choose your comparison set deliberately. Pick creators or agencies of similar size in the same niche and period. Six to twelve entries usually reveal a useful pattern.
Record why each entry counts as comparable. Note the follower band, sector, format and the quarter you sampled. A creator who moved from long videos to short clips is a weak comparator, and the file should say so.
Check the legal ground you are standing on
Brand names and logos in creator content sit inside trade mark law. The Trade Marks Act 1994 governs how marks may be used and when use infringes, so never assume a competitor's brand assets are free to reuse.
Policy context matters too. The Department for Business and Trade covers advertising, consumer protection and business support, which helps when you need to know who owns a question. For advertising disclosure, the Advertising Standards Authority (ASA) administers the CAP Code with the Committee of Advertising Practice. CAP Code rule 2.1 requires marketing communications to be obviously identifiable, while rule 2.3 requires their commercial intent to be clear when it is not obvious from context. The Competition and Markets Authority's Influencers' guide gives guidance on making clear when social media content is advertising.
For UK personal data, consider the UK GDPR and Data Protection Act 2018. If you store contact details of creators or brand managers, you need a lawful basis first. ICO guidance on choosing your lawful basis for direct marketing explains how consent and legitimate interests differ, and is worth reading before you build any list.
The research checklist
- Log the question, date and researcher at the top of the file.
- Collect published rate cards and media kits; check Companies House filings where relevant, and keep dated copies of the platform terms you consult, such as Instagram Terms of Use, TikTok Terms of Service and YouTube Terms of Service. Use Meta Ad Library, Google Ads Transparency Center and TikTok Creative Center to find public ad examples, noting that these do not provide a complete record of sponsorships.
- Note disclosure wording in paid postscaption, on screen, or both. Check the Instagram paid partnership label, TikTok branded content toggle and YouTube paid promotion checkbox where relevant.
- Record exclusivity clauses and usage rights where published.
- Capture payment terms such as invoice periods and late fees.
- Cross-check disclosure against ASA guidance and CAP Code rules 2.1 and 2.3, and record any relevant trade mark or data protection checks.
- Separate fact from inference, and label inferences clearly.
- Note gapswhat you cannot find is itself a finding.
- Summarise patterns in no more than one page.
- Set a review date, because terms and rates date fast.
Inference is fine when it is labelled. If three rivals appear to bundle usage rights into the base fee, write that as a pattern to test rather than a settled fact. Keep the source line beside every inference so a colleague can check it in minutes.
Ten-step research checklist
- Log question, date, researcher
- Collect dated rate cards and terms
- Note caption and on-screen disclosure
- Record exclusivity and usage rights
- Capture invoice periods and late fees
- Cross-check every figure twice
- Label inferences and gaps
- Summarise in one page, set review date
A note on tools
Manual collection suits small sets. Past about twenty creators, a structured survey or a fixed-field form saves time and cuts transcription errors. Set up the form or spreadsheet around the fields in the checklist so each comparator is recorded consistently.
Budget the time before you begin. A ten-creator manual review is a small project, not a spare afternoon. Set a fixed number of hours, stop when you reach it, and note what remains unchecked.
Before and after comparison table
The table shows how a research file changes once the checklist is applied. Figures are illustrative only. Use the additional fields below as a template, and enter a rate or contract term only when a dated public source supports it.
Before research
- Comparison set
- Whatever was easy to find
- Rate data
- Anecdotes from a group chat
- Disclosure wording
- Assumed to be "ad"
- Legal checks
- Not considered
- Ownership rights
- Unknown
- Output
- Scattered notes
- Example fee range
- No baseline
After research
- Comparison set
- Ten named creators, same niche, same quarter
- Rate data
- Published rate cards, dated, two sources each
- Disclosure wording
- Caption and on-screen wording logged per post
- Legal checks
- Trade mark and data protection questions noted
- Ownership rights
- Recorded where publicly stated
- Output
- One-page summary with a review date
- Example fee range
- For example, £400 to £1,200 per post, illustrative
| Element | Before research | After research |
|---|---|---|
| Rate data | Figure without a source or date | Published figure, source and capture date recorded, or marked “not found” |
| Disclosure wording | Wording or placement not preserved | Caption or on-screen wording and placement recorded, with the platform disclosure tool noted |
| Legal checks | No rule or source logged | Relevant CAP Code and other legal checks recorded with their sources |
| Ownership and usage | Usage rights not separated from the fee | Usage terms and exclusivity recorded separately, or marked “not found” |
Common questions
Is competitor research on creator contracts lawful?
Yes, public-source research can be lawful, but public availability alone does not remove data protection obligations. If you collect or store personal data, consider the UK GDPR and Data Protection Act 2018 and identify an appropriate lawful basis. Use published rate cards, filed accounts and platform terms only for what they actually show; they do not establish private contract terms.
How many competitors should I compare?
Six to twelve comparable creators or agencies usually reveal a pattern without becoming unmanageable. Beyond that, move to a structured survey so the fields stay consistent.
How often should the research be refreshed?
At least twice a year, and always before a major pitch or renewal. A file older than twelve months is indicative only.
Can I rely on this instead of legal advice?
No. This is general guidance only, and individual cases need a qualified adviser. Use the research to ask better questions of your solicitor.



